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Stories in Eternal Ash and Elsewhere

by Zovi

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    16pg book designed by Zovi featuring her art and stories accompanied by the CD album.

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1.
There will be no happily ever after for me. But there will be an ever after, forever, in what will never... You will not take me. But the Ash will take me. Only the Ash will take me... I have no need for this favor, my soul, anymore. I cast it to the ground! Let it break into countless shards, just as my future has... And my heart-- The night refuses to lift with my lashes For weighing them down are my own future ashes Coalesced into crystal dreams Unswept in corners vaguely seen
2.
In the halls The quiet halls of stone They speak when I'm alone They speak through to my bones So frail against this chair Brushed through with shadow hair I think there's someone there Who can at least pretend to care How I decided in an instant To resign myself to eternity distant From the views of sky I suppose I once knew Not grey and sooty but clear and blue I do not know. It was so long ago. I was so perfect then. At least I thought that was so.
3.
In vain, I look into my vanity To uncover answers Or something to cover My years of inhumanity That have clouded the mirror Into my search for a lover Is this it? Have I lost my gleam? Are there tears At my seams? Am I such a rarity That my future is scared of me? Is romance something I still hope will greet me? When I threw down my heart, did it shatter completely? And who is there to love? "Live within these walls..." Why should I be hopeful When I'm here because And who is there to love? "Live within these walls..." Why should I be hopeful When I'm here because... I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my eyes...
4.
It almost sounds like a rainstorm outside There are even rolls of thunder... And yet I know it is all an illusion Ash is all that falls from this sky I remember nights When I had wonder Now swept into the corner A childhood of cobwebs Good night Sweep tight Don't let the dust bunnies bite And I can no longer fight Tonight... I saw the day through a mirage in a blackened curtain I asked it what its name was and it told me what I wanted to hear And through the barren trees outside The wind obliged to follow the curtains' suggestions Of swaying with reversed delay Such that they would have swayed in the past-- And just like that, I awoke with no start For the only fastness was the fastness with which I held Onto my ice-cold ashen...
5.
...heart And so I closed my eyes again It made no difference to be lost or found And I'd hear the soundless sound Of the now of now and then, and then (Only with my eyes closed Only with my eyes…) Shut away behind myself I drink my tears to hoard my cries
6.
But the halls The halls that remain so dim Give significance to each limb And each breeze has a pseudonym For each dust particle has a shine And they all are all equally mine And sometimes I feel like I'll be fine And then And then... It always disappears in an instant And I return, I return to eternity distant The ash billows and clouds my mental view And no longer is the sky in my dreams blue And I suppose That’s just as well. I truly chose The most fulfilling hell.
7.
But still, my vanity haunts me An imperfection Wanting insurrection Within this self stuffed with humanity A taxidermy dedicated To former perfection And when it erupts It burns too quickly And becomes more ash that filters away Leaving me here, wondering sickly: Is happiness something I still hope will greet me? When I threw up my heart, did it splatter completely? And who is there to love (now that I) Live within these walls (so loveless) Why should I be hopeful (so foolish) When I'm here because And who is there to love (now that I) Live within these walls (so loveless) Why should I be hopeful (so foolish) When I'm here because...I...
8.
...lost. I lost. I lost, I lost, I lost. I lost him I lost her I lost everyone but the ghost of a human who cannot feel... I'm lost Again. Walking the grounds Perusing the sounds Of the lost Again. A new batch will gather But I would much rather Be lost Again. Is that really me talking I should just keep walking To be lost Again. I cannot hear them I must not hear them Is this the curse Of this damned place? Can I no longer Show my saddened face? To those who would be peers If I were myself in the past But after these countless years Did my face even last?
9.
I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my I am an artifact Beautiful to look at Only with my eyes closed Only with my eyes...
10.
Small legs in oscillation Airborne from the ground On a swing overlooking a future With only a thin wire fence in the way And with every forward movement It felt as though I could pass through the holes of the fence And be turned into the rays of light that cast themselves through both ways And rise up to the off-white sky of how I remember that non-day And then back, allowing myself to fall in an arc Braced by my smaller hands grasping the metal chains of the swing With holes more appropriate for a child that age But even now I refuse to pass through that fence And I will always refuse For the sky is on this side And the non-day is as alive as the grass untouched On the other side I imagine myself dismounting My hand trailing a chain with tender hesitation And wandering behind to leafy shade To dance to the moment and its melody in softest solitude
11.
The fence is gone now And the non-day turned to a purple twilight And I now look toward the moon, where a dragon sifts through their own memories...
12.
Oh, come with me far away Into the mind of my memory Sequestered in isolation forgotten Hold the infinity left for me I'm speaking only to myself Of course, my self of past tense There is no other in the present Not in any but a fleeting sense I am a dragon of this moon Along with my current multitude As myself, though selves do spurn Themselves with unified attitude But my past I must now reach As my form from times lost to space Are of use to one who is outside my self One in no position to efface Kymyzi! Long ago, were you once me? That existence I no longer claim Let my breath recall that name Uyaryzi! Long ago, once by my side A friend once removed from my mind Let them be forgiving and kind I bring myself slowly away To the thoughts of that one I knew They moved with me Through philosophy and moved me too Our universe was complete As nothing until now tore it But now there is something else out there and I alone (alone?) do not ignore it My other selves are pulling They are my own adversity But what I need is not in here Though naught in here is hurting me Unlike what I am now seeking A closeness severed by distance But I must do this, for I now have a purpose I must take this chance Kymyzi! Long ago, were you once me? That existence I no longer claim Let my breath recall that name Uyaryzi! Long ago, once by my side A friend once removed from my mind Let them be who I may now find Searching... Searching... Searching... Searching... Searching... Uyaryzi... Can you hear me? Kymyzi! Long ago, were you once me? That existence I no longer claim Let my breath recall that name Uyaryzi! Long ago, once by my side A friend once removed from my mind I greet as I slip into their brine...
13.
Slipping In 05:55
My legs were first to disappear as I descended far from here, into the midnight shallow depths of my imagined basin, a world that I felt I could fill with thoughts that warmed the water chilled by pipes unseen that would cleanse me once I put my face in. But first, the body in between, safe in shadows, best unseen, that I no longer had to see as any extension of me was replaced by a mental taste of beauty as it followed itself into the gently lapping tide, moved not by the moon but by the arms that would soon be submerged in a marriage where they both would become a bride. Soon I had a new frontier around my neck with else and fear separated by the waterline so near to the uncompromising faces of face, of chin and cheeks and other skin that comprised the ramparts of the tower of the perennial flower that no light now dared to chase. But there was no light there to shine on a false me with what was mine in mistaken assumption that I may ever be more than my own emotional brine, diluted as I was by the crystalline sea in front of me and the amount of myself that was shaken, for my mind was not at rest just yet and fears were still inside my head and thoughts trailed like the undead minds of my past selves, up upon the unseen shelves miles above where I was instead. And so I resumed my descent and into depths my body went, into the deeper midnight soul as my daytime form formed into shoals of dreams and nightmares intertwined in complex movements of the mind that were clear as glass but dark as coal, and I could no longer feel the dryness on the last strands or bands of shyness I left behind for elsewhere, in this bath free from the wrath of the day from which I momentarily retracted, and that moment lasted as long as I expertly acted as if I had the capacity to not be there. The darknesses that wanted me I now invited openly to bring me colors of my own so I may keep them, though on loan, for light would flush them all away and I'd return them to the day, but for now and then I would exist in this murky-yet-so-brilliant tryst of stagnant trough and solemn thought alone.
14.
15.
First, Being was in Question, as it always had been, and as it moved in Question, it wrapped itself around Question and started to attempt a noble asphyxiation of Answer, knowing full well that Answer, residing in Question, had immediately responded by creating spindles extending from within Being and Question both, an encroaching cloud of Being’s own capillaries and Question’s own frayed web nodes that together would anchor themselves between Being and Question and thus return the strangulation one small piece of Answer at a time. Being suspected this was only fair, but kept at it anyway until all three passed Out, at which point the axonic arrangement between Being, Question, and Answer shifted from something existing in theory to a shared existence on its way to becoming something ready to receive a physical manifestation. The transformation descended upon them in waves of environment. Perhaps there were limbs, Controlling the self as much as the body, Begging for the mind to catch up and finally take control, Alighting on the ground, Up on the ground, Walking down, Through, To the side. The mind felt spongy, with shoes to match, Shifting forward with every stunted quarter-glide.
16.
And then the colors arrived, numerous colors of quite a few extra-planar rainbows, all coalescing in a protean impressionist state on its way to becoming the bounds of local reality. The colors sprayed around and up and across in construction on a large scale. Or, it seemed that way to the newly formed Being-Question-Answer, who felt as though she* was able to truly see and experience for the first time, as if every time before were a partial illusion: shadows without light and light without shadow. *(Yes, she, no longer it, that was definite. Being and Question were definitely female, which made Answer’s elusive genderlessness, or plurality of gender, entirely and quite steadfastly irrelevant, as if it were decided upon by a vote and such an internal abstract decision would be the final say for a while.) And in this sudden realization of completeness and wholeness, Being-Question-Answer named herself The Itinerant and started to bicker with herself. The half that was Being suggested that they form a personality first to be ready for the environment as it settled, so as to not have to worry about it with the absolutely unavoidable onslaught of overstimulation that was about to come about. The half that was Question and Answer, on the other hand, suggested that the personality should be understood later on, citing a concept floating in their shared mindspace having to do with creation of personality as a tool appropriate for the social climate, and since the social climate was unknown entirely, it would be completely foolish to jump into a shared personality that would be unstable at best and likely would not make any sense with whatever may be forming itself in front of her.* *(Answer seemed to be content with being generally silent on all matters but was definitely on the Question half, assuming this amalgamation properly worked in such a straightforward manner, which was quite doubtful to all parties involved.) They did not have enough time, however, for Being to have her way, and as such, The Itinerant was born into the world of the Carousel with absolutely no personality, and further, one would have to be given to her. She understood this, somehow, and started to exist as the village that formed around her pitched and heaved under the currents of emotion emanating from some unknown source, as well as weaker currents with origin at her feet.
17.
The brilliant colors had dulled into a blotchy mix of harsh reds, greens, and yellows, as the grayish-blue-bricked main road led her forward. Beside the slight disturbances in perception, The Itinerant noted that it felt somewhat familiar, as if in another life or another timeline all of this was arguably similar to what should be expected while alive. Despite not having any clear recollection of any such previous life, Answer gave a slight inclination that there had been such a thing, although it was quite muddled by the loss of temporal anchors. Still, between her three parts, The Itinerant was able to piece together thoughts that, overall, left her with the sentiment that what she was experiencing at this point, the entire village inside her still limited range of view, was acting as some sort of bridge from some previous world to the current one in terms of familiarity. If this were on purpose or accidental she did not know, but the thought also crossed her mind* *(Question’s and perhaps some section of Being’s specifically) that even in an unknown world, there has to be some basis of familiarity-- not because it is a rule that every alien environment must have something palatable to every single sentient mind that experiences it, but instead: that every such environment, by default, has something that is the most familiar, relatively speaking, and a reasonable mind like The Itinerant’s* *(in her own opinion) would instantly and automatically seize that relative minimum of unfamiliarity and operate under the assumption that it is the base norm. She wondered if there were others in this world and thought about whether they would have different base norms based on this theory. Likely, she thought. In fact, she could find out quite soon, if she pursued the source of the larger, rather surprisingly natural-feeling pulses of emotion, which she decided were only instantly recognizable because they were part of her own previous life and thus were now an aspect of her new base norm. So, after some hesitation, a major event of this new era occurred: The Itinerant started to move.
18.
She moved her feet in a sort of disconnected shuffle, and the air, if it was air, felt humid and viscous, but it also had a peculiar property of magnifying inertia, such that even though the first few steps were awkward, at this point she felt almost as though the faster she went, the more this atmosphere would push her from behind. Nearing the epicenter of the strong currents, she dared not slow down, but it was difficult to look ahead, due to the spasming and distorting visual display. And so, The Itinerant looked up for the first time, hoping for some momentary reprieve from the constant sickening motion of the village. At this point, The Itinerant learned what it was like, first hand, to look up while in the Carousel.
19.
The Itinerant found herself in a giant cylinder Impossibly wide with a diameter of at least several miles And taller than anything fathomable by a rational mind A countless system of trapeze wires stretched across in all directions in more than two dimensions And upon these wires danced mobiles of shapes That could be possibly other sentient beings A concept Being found absurd A concept Question found terrifying A concept Answer found implausible Each, in turn, causing the total sum of the Itinerant to look away Toward the walls Where unbelievably massive vague shadows of steeds Impaled by silhouettes of pole from ground to sky Slowly rotated around the cylinder And only added to the movement But this movement was a movement of memories And not just experiences And so, The Itinerant closed her eyes Which she was not able to do before Answer collapsed Question ascended Being multiplied multiplied multiplied multiplied multiplied And The Itinerant knew her true name And this was precisely the moment she decided to mark as the very first moment she would consider herself truly a part of this new reality And thus Truly Inside the Carousel
20.
From the ash to the stars I once knew The light from the stars upon you There is no sense of time in this sky Thoughterfalls that matter rise and fly And I dream... I want to bathe in the stars Pour my soul upward I want to bathe in the stars Still further inward O Stars, O Stars, O Stars I sing to unseen light O Stars, O Stars, O Stars Behind a clouded night
21.
Beginnings 04:11
Beginnings find you Though often they waft in Under your nose And can become those That move past unnoticed so easily Beginnings find you Yes, despite their light flights They gravitate And substantiate Just waiting to be plucked from the air Like diamond dust flakes In an afternoon shaft of clarity O, but this craft is not the rarity Beginnings find you Bestowments each moment But those that shine Are those that your mind Keeps like a rock kept by a child In hope that it will hatch a wondrous beast But as in this current feast, it will And after it hatches, takes off from a windowsill Not before grasping you in its gentle claws And bringing you along for the ride Calm or wild. A beginning found you A couple, redoubled True love in your eyes Two hearts so apprised Of the beginning floating between your souls May this make you whole, and whisk you away For it is a beginning in so many ways Pollinating the flowers of possible fates To create a field that will speak to us all Sooner or later To blow our own seeds to the wind And to see what is visible within. A beginning found you And found me, too. The beauty of this day softens my clay Just enough for it to finally beg to be reformed And my egg I have been tending has sufficiently warmed And so my home, you shall forever be enthroned In my heart And you mean So much to me And all of you... I will make this brief But please do not find this a time for grief We are celebrating beginnings Here between closing walls of plaster Let this be my blessing for your hearts to flutter faster And let my absence be one you fill with your love As I fly, as I must, as an aspiring dove Who wrote her own wings into existence And so, it is my insistence: Celebrate the occasion Of this wedding and elation And remember Beginnings find you Look for them Grasp them Let them grasp you And bring you along for the ride Calm or wild.
22.
I finally And rightfully Have been made a powerful whole I finally Have destiny Under my total control Look. At. Me. I'm beautiful, don't you agree? Strength and beauty are one and the same So feel my Reason and learn its name! Yosuga! Yosuga! Yosuga! Yosuga! A brilliant mind in turmoil was just the kind of mind I needed And so I made sure in that hospital that these bold ideas were seeded The demons around her coalesced so aptly with those inside And born out of the grief and pain was potential strength and might Look. At. Me. Yosuga! Yosuga! Yosuga! Yosuga! You see the only way you can be saved Is to become or join the stronger force but chances are you cannot do this on your own and under me you'll survive with no remorse Because I finally And rightfully Have been made a powerful whole Yes, I finally Have destiny Under my total control
23.

about

I intend this album to be the long shadow of my previous album, "The Castle of Celestial Fogs." If that album was a dream, this album is...not a nightmare, because nightmares call to mind the concept of fear. It is something else. The theme of dreams carries through, as "Inside the Carousel" is based entirely on one of the most incredible dreams I have ever had, but this is about something even more powerful than dreams: stories. Stories are important. They are so, so important. They are perhaps the most important thing, because we're made out of stories.

Let the stories in, and let them consume you in a way that blossoms into elsewhere.

credits

released November 6, 2020

All music, vocals, lyrics, concepts, designs, and illustrations are by Zovi EXCEPT for:

- "Mirelle in Eternal Ash" is based on my experience with the character of Lady Mirelle, written by Warren Tusk for his theatric LARP "The Dance and the Dawn: Dreams of Ice and Ash," and her fate post-game, with a good amount of extrapolation and poetic license. This piece is spoiler-free for the particulars of this LARP, and I encourage people to play and run this and other games available at www.paracelsus-games.com
- The field recording used in "A Swingset Vignette" was recorded by Alison Joy.
- I wrote "Beginnings" in character for another theatrical LARP. The version here has particulars removed to avoid spoiling said game for others.
- The organ part in "Look. At. Me." is an arrangement of Chiaki's theme from Shin Megami Tensei III: Nocturne and the song itself is about her transformation. A few of the lyrics are quotes from the game dialogue and the rest are my own. God King Josiah played alto saxophone on this track.

I would like to thank Ultra Gash Records for working with me for the physical release, kingcon2k11 for working with me for the music video for "Opera of Stars," and everyone who gave me feedback while I was making the music for this album.

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Zovi Albany, New York

Theatrical industrial and novelty techno from the NYC area.

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